Nick
Cave and The Bad Seeds- Edinburgh Usher Hall 01/11/13
The first of November and the first sold out gig of the month for my gig diary ( more to come ). The first time I experienced Nick Cave
was with his alter ego Grinderman and a handful of seeds who
split the audience with their bombastic blues. Recently I caught his
stripped back The Death of Bunny Monro book reading
tour, again with a few faithful members backing him. Tonight it's a
different story, I’m here to witness the full band Nick Cave and
The Bad Seeds.
But
first to warm our cold souls is a one women and her harmonium Shilpa
Ray. A huge favourite of
Cave's having already toured with Grinderman and
him releasing her E.P It's all self Fellatio
on his Bad seed ltd
label, also having released material under her other guise Shilpa
Ray and The happy
Hookers
http://www.shilparay.net/
A stunning strong voice and to me I can hear a mixture of Lana Del Ray
and Janis Joplin, bluesy and soulful. She remains quiet throughout her set letting the
lyrics speak, only commenting “ You guys really have nice
graveyards” Okay then.
The songs flow almost seamlessly until she stops and walks off,
leaving us all a bit bemused but ready for who we are all here for.
It's a Friday night in Edinburgh, people have been paid and are ready
to party with some still recovering from last night's All Hallows Eve
shenanigans. All the ghosts and Ghouls have gone back to hell, but
one Dark Lord still walks the earth and he has a few songs to sing to
us.
Straight in to the sublime opener from their stunning new album We
no who you are. The 7-piece including the return of Barry
Adamson ( in shades ). Jubilee Street comes next but Cave
gives the nod and all hell breaks loose. The band reach peak time
highs, the energy coming from the stage could heat a small village
in the country. Cave is all over the stage, rushing towards his right
hand man Warren Ellis and almost bouncing off him, only
slightly taking a breather to play a few piano notes. The sold out
venue is going wild. What an opening first few tracks. This reviewer
could easily have left a happy man at this point but is in for the
long haul and what a epic set weighing in at just over 2 hrs
and 21 tracks.
Midnight Man is the only tune lifted from their last album
Dig!!! Lazarus Dig!!! “Everyone is coming round to my place”
Cave sings, looking round it looks like they have. Some casualties
already and some characters, but to be expected.
It would only be wrong to have not played the excellent and live
favourite Red Right Hand he doesn't disappoint. The crowd
sing along.
From
here to Eternity Adamson joins
Jim Sclavunos as a
second drummer. Cave spends most of his time at the front of the
crowd on monitors crouching in to his followers. A dark broody
character he returns to the stage briefly going down on his knees,
sometimes sipping a steamy substance from a cup, maybe a hot toddy (
in Scotland: whisky and hot water with spices ) or a witches brew.
The
Wild man and multi instrumentalist Warren Ellis with
his swept back hair and dwarfish beard is a captivating force, he
crouches turning his back to the audience and catapults his violin
bows in to the air. While flitting between flute, mandolin, tenor
guitar and whatever he can get his hands on.
A
brief moment for Cave to introduce a track off their first album “You
know the one” a Anita Lane
cover Stranger than Kindness.
He gets heckled from some nut job on the balcony, he retorts “Fuck
You”
He
takes to the piano for a series of dark balladry God is in
the House and the brilliant
Into My Arms from
The Boatman's Call album. The
lovers hold each other tight and sing along.
We
return to the new album for Higgs Boson Blues which
is tight, warm and wholesome. The
Mercy Seat and their
version of the old American folk song Stagger Lee
he's back leaning in to the audience, this is Cave's Communion,
holding on to a adoring fan's hand preaching his tales of redemption
and perversion. It's a spellbinding sight.
They
finish with their new album title track Push the Sky Away
It's absolutely
mesmerizing with it's ambient electronic over tones. Like a
collaboration with Brian Eno
They return with an encore of We real Cool then asks for
requests from the audience. Papa won't leave you, Henry follow.
The band thinks it all over but Cave wants to play more “here's
a new one “ he says with Give us a kiss finishing the set.
It was something really special to experience a gig with this kind of response in Edinburgh which
usually is some what subdued but Cave brings out the fire in the
crowd and creates a almost tribal atmosphere in the grandiose Usher
Hall venue.
The band are on top form especially Cave who still stands proud as one of the greatest front men and with album after album of quality
tunes I would believe their here to stay to haunt for a long while
yet.
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Malc