Limbo
– Pleasance Theatre , Edinburgh 24/10/13
Being
an Electronica fan
I was quite excited about the prospect of tonight's line up, all
Electro artists from Glasgow/Edinburgh.
First
up Glasgow based Engine 7. The duo Producer Alan McNeil and
Glaswegian but based in London Marie Claire Lee. Main man takes the
stage creating ambient electronic soundscapes while visuals are
projected onto a screen behind. Its all atmospheric and music to soundtrack
a cool indie movie. Singer Marie Claire Lee joins him while the first piece flows seamlessly in to the next. She swoons and sways
along like a snake in a trance to the charmed beats from McNeil, she
floats in and out from the Mic, adding loose lyrics. Unfortunately I
couldn't quite make out the lyrics, maybe the sound levels were out,
but the beats were loud, I like. In the last tune I can make out
a chiming melody like a ice cream van at the Sonar festival, the
lyrics are more prominent and I hear a touch of Bat for Lashes lead
lady Natasha khan in Marie's vocal style. Some great pieces of music and
production.
Speaking
to Marie before she told me the new album is sounding cool and she's
excited to get it out. What I've heard tonight I’ll be getting my
hands on a copy. Nice start to the show.
Shona Maguire quietly takes her place in front of her table of electrical tricks. Holding the Mic “Hello, I am Plum “ then joking “I'm sounding like a comedian “ Meadow of Weeds is first. Shona has recently defected across the border down to Brighton to spread her seed in pastures new. Since being there she's had a few mishaps happen to her; one falling off her bike and injuring her wrist, so unfortunately we don't get the full Plum experience moving between Bass and Acoustic guitars. Before she was like a mad professor, now more of a one armed D.J/vocalist. Having said that she still provides a great show, adding warmth and charm when she makes a mistake, laughing and telling us what she has done wrong. The beats and tunes are still there, especially the excellent new material from her new E.P : Betsy Thunder (see my previous review). Catapult takes us to new highs with it's spine tingling xylophone melodies and thunderous bass all mixing in to the electrifying set with tunes from The Seed ( last album ). She banters with her old sacked producer ( in joke ) Martin who's sitting in the audience and tells us her dad loves that new track Death becomes a Bow who says it like "take a bow". It's an uplifting piece of Electro pop. Last tune Smile she introduces us to her favorite song to play live, it certainly has brought smile's to the faces of tonight's crowd. A Electronic artist/Producer with bags of talent and a favorite I never tire of seeing live, especially nice to see her back in her home town.
Check
out her website, were you can download a free new tune
http://plumtunes.com/
Little
Buddha
I have been looking forward to seeing for a long while and they don't
disappoint with their Bass heavy sounds and tight production from
main man Grant Tyrie , keyboardist of three years Fergus Black and lead lady ( slightly scary ) Vampirish
looking Kat McDonald who jokes and banters, but leaves us all slightly unnerved.
Mcdonald
sings the songs like she's providing the soundtrack for a Tim Burton
animated Movie or theatrical musical. Hints and nods to Massive
Attack
and Portishead
on
Life Support with its Trip hop stylee and dark Noir-ish overtones, slightly
Electronic/jazz with more focus on the bass wizard trickery . I'm
loving their set until just before the last song an emotional Grant takes the Mic and announces "This will be our last gig. I've loved being with the band and partner Kat making music together for 15 years“ All very sad and slightly uncomfortable for the audience, also a shame as they looked like they were getting somewhere with
recently being featured on BBC radio live in the Edinburgh Fringe. I'm glad i got the chance to see them live and they will be missed.
Finally
it's up to head-liners
Conquering Animal Sound to
pick us back up.
The
Electro Duo consisting of Anneke Kampman and James Scott create
strange other wordly experimental Electronic music. The petite
Kampman live on stage is a intense force, moving back and forth and
confidently singing in to the mic like the more adventurous sound of
Bjork. Scott provides minimal sounds and gentle comments between
songs, saying the set will consist mainly of music from the second
album and a few new tunes.
At times it's a trance like
experience, especially on one of their new tunes with it's hypnotic
beats and ending with it's “I did not look like me mother”
lyrics. They’re a intriguing live act but unfortunately not
captivating enough for me to last out the full set.
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Malc